Defining the “West”: An orrery of cultural paradigms

Paper 1: Defining the “West”: An orrery of cultural paradigms

Part 1: An attempt at tracing the historical roots of the postmodern humanists

In his very last interview to a reporter, Robert Frost would make the following statement: “I don’t take life very seriously. It’s hard to get into this world and hard to get out of it. And what’s in between doesn’t make much sense. If that sounds pessimistic, let it stand”. It is precisely such “in between” phase which may be said to constitute what André Malraux had referred to as the “human condition”. To understand the “West” – and to attempt to define it through the orrery of cultural paradigms that have come to delineate its history and identity – one would need to commence with that which apparently “doesn’t make much sense”, it being the “human condition”, and as that has been experienced by the so-called “Western” individual. Continue reading "Defining the “West”: An orrery of cultural paradigms"

4e/cont. – LONDON: SETTLERS, COCKNEYS, AND THE “CITY TYPE”: THE CASE OF “LITTLE INDIA” – EAST HAM

ETHNIC-BASED CINEMAGOING PRACTICES [A CONTINUATION OF PAPER 4e]

Bollywood, Hollywood, and the attitudes of diasporic Muslim “cultural clusters”

Introduction

As has been observed throughout this project on East Ham [and especially in Paper 3 and Paper 4a], the area has also been settled by various Muslim-based “cultural clusters”. An examination of generally ethnic-based cinemagoing practices pertaining to this area and its environs must therefore also consider the case of Muslims and the precise manner in which such particular religious-cultural groupings relate to the world of cinemagoing, be it the projection of Bollywood movies, British movies and/or the Hollywoodian genre. Continue reading "4e/cont. – LONDON: SETTLERS, COCKNEYS, AND THE “CITY TYPE”: THE CASE OF “LITTLE INDIA” – EAST HAM"

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